The Customer Trestle Theatre Company is an internationally renowned arts organisation, which creates and tours theatrical productions. Trestle aims to produce thought-provoking and engaging physical and visual theatre, incorporating music, choreography and new writing. In addition to professional productions, Trestle also has a very well established education programme and produces mask sets as a tool for drama work, for use in schools and drama groups all over the world. The Challenge Trestle approached Formech looking for a solution to assist in production of their extensive range of masks. As well as supplying masks produced on their own premises, Trestle also offers workshops where masks are produced off-site, then explored and used in a performance context. The Solution A visit from the Formech team to Trestle helped establish the company's precise requirements. Existing methods were time consuming and so the need for a flexible alternative was established. Formech's solution was to propose a small desk top machine to allow Trestle and study groups to form a wide range of masks in house and ensure demand levels could be met whilst maintaining flexibility and control of their designs and not relying on outside vendor. The Results Formech's technology has helped Trestle Theatre Company achieve a fast, versatile and economical solution for the production of its complex visual work and ensures their production team maintain a competitive edge and a high level of customer service. They are able to provide a workshop environment for groups to produce their own masks. The method is quick, clean and allows a mask to be made in a fraction of the time it takes using other methods, such as papier mache. The result is a smooth, durable mask. As production increased Trestle followed up with the purchase of a second machine to add to their existing 300X. Using a Formech vac former to produce masks, particularly the education sets has proved to be ideal. There are no drying times, as with other materials such as latex or papier-mâché, and you can reproduce masks from moulds efficiently. It is also useful when experimenting with mask designs as you can pull a mask to see if it works, then go back and adapt the mould accordingly.  Claire Elcombe, Mask Maker – Trestle Theatre Company
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